Generous swabs of Barbra Streisand, with or without a Gibb brother, interpretations by Mantovani of everything, journeys via strings to Paris, Rome, Austria and Hawaii:
Radio FM has trawled through the lot of it and is ready with a 24 hour launch broadcast-a-thon.
It’s off season, but James Brown’s Christmas plea, ‘I'm begging you Santa Claus,
Go straight to the ghetto’ sounds more soulful than ever, just as saccharine promotional jingles by Lesley Gore and Roy Orbison for Coca-Cola will leave you with a furry tongue.
Join us 0900 till 0900 aboard the good ship Radio FM where such cargo is yielded from the Elsewhere collection.
There’s a handsome new display unit full of 45s. This is where the treasure is that makes up our unique playlist:
The best of Stax, some with great chunks bitten out, but mostly just as scratchy as an old jukebox demands. Just fabulous. Donna Summer on the hour, Melba Moore’s album tracks, the Pointer Sisters’ solo efforts (Bonnie) are all here.
It’s a family show, folks. Not a parental guidance explicit lyrics warning ruining the LP covers to be seen. We just have to hope that our highly prized disc jockeys keep it strictly PG-13.
What better way to move from those stolen remnants of Saturday Night (well Sunday morning) to Monday morning? Have us in bed with you at 9 – and don’t feel lonely that it’s just Radio FM and your breakfast under the sheets. And if you’re entertaining – we’ve got the love songs to keep you under the covers.
Still lonely? Stay with us as we move into the Heartbreak Coma hour, playing the splintering anthems that you crave when real life isn’t enough to make you cry.
Hungry? It’s Lunch Club between 1 and 2 at Radio FM, we go off air and leave you to listen to the best food anthems, uninterrupted for an hour.
We catch up with singing stars who have defied trends and continued throughout their lifetimes recording - how could Andre Williams comeback I wanna be your favourite pair of pajamas be in the top 10 alongside Cher’s Believe? And Lee Hazelwood’s Cake or Death is our featured album. We’ll politely skim past the Eddie Izzard references, so do stay with us.
After midnight, slip into something red, shiny, lacy and synthetic because we have Sexy Bad Music hour. Might last an hour, might be considerably less – who’s to say?
Let the music, fun and chat keep you company until the Monday morning rush to work.
Don’t forget your sandwiches, your bus pass or some anecdotes about your weekend to share at the water cooler. Can’t think of any? Why not tell the temp on the front desk about a great new radio station…
Radio FM: a case for radio, a place for radio, a face for radio.
16th September 2007
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THE SET
A REHEARSAL SPACE for an audition the day after tomorrow, in a former thrift store turned museum.
The action takes place within the library amongst a paper-thin set, which hangs from the ceiling in a complicated web of fishing line.
The set and props (most do not move) are entirely hand-drawn in newsprint – piles of books reach the ceiling, hung in front of real shelves, a record player and typewriter are on stage, as is a hand-mirror in front of a large poster, sheet music is on the floor towards the front of the stage and a few hand-drawn records are laid out by the record player.
On the right hand side is a typewriter that hangs from the ceiling.
A clock hangs high in the library; it is just after eight thirty on a late summer’s evening.
Toward the front of the stage is a sign with movable vinyl lettering (made of Monoprints) hidden behind it.
On the left hand side of the mirrors, on the back wall, is a frieze/poster of an AUDITION NOTICE.
2ND SEPT 2007 - 1st Draft – SET IN 'SKY LOUNGE' (ALL CONTENT SUBJ.TO CHANGE)
Working Title: Audition Notice
by Katie Horwich & Kristina O’Donnell
THE SET
The top floor of a turn of the century boarding house in Greensboro, North Carolina. It is late summer, the mosquitos have laid off their prey and the mornings are cooler. The action takes place at about eight on a Friday evening. The sun is streaming through the windows to the right hand side of the stage, bathing the centre in a warm orange light. There is an odd sense of elation and fatigue.
The set has been roughly constructed – a concertina of full length mirrors are propped up against the back wall, and much of the other props are oddments from past performances.
The boarding house is next door to an old thrift store which has been converted to an artist’s space and museum. Remnants of past works remain onset – it has been artistically painted, the design is laboured – the walls are painted like a endless blue sky, complete with painted clouds and draped white fabric. It is, however, dilapidated.
A sculpture park on the back left hand side is decaying, and incongruous to the setting. Other props can be seen dotted throughout the room – a set of seats from a light aircraft have been organized, once, into rows, but now these rows have become slightly out of order given the appearance of the aftermath of a clumsy landing where no one was hurt.
An attractive ‘coffin’ table is in the middle of the room, but may be moved across the set during the performance.
Slightly in front of the mirrors is a sign with movable vinyl lettering in a small pot next to it. It is slightly out of place in its setting, far from its normal habitat of a lower end hotel or conference centre lobby.
On the left hand side of the mirrors, on the back wall, is a frieze/poster of an AUDITION NOTICE.
THE CHARACTERS
KRISTINA
blond, in her mid-twenties, tall.
She is wearing a red shirt-dress and flip-flops with rope soles. She wears a head-scarf tied in a bow on her head.
She loves a pun, a catch phrase, and can’t resist shooting actions with mimed pop-guns.
KATIE is shorter, with dark hair, dressed in work jeans and a plain black top. On her feet are rotting tennis shoes.
She too wears a headscarf, tied sometimes around her head to flatten her hair but mostly around her neck.
Both are dirty and sweaty, looking tired and unkempt. This is not due to poverty or for want of a shower and clean clothes, but because of their work as artists.
They try to compensate for this disheveled appearance by wearing full faces of make-up at all times. And too much perfume which may waft into the audience. Both constantly touch-up and re-powder. KATIE in particular reapplies generous lashes of red lipstick periodically.
Note – They make enthusiastic + noble attempts to improve their singing (through home-made karaoke machines) but are new to improving themselves through Dance.
They have just discovered ‘ZUMBA’ to which they may refer. It is a “fusion of Latin & International music combined with body sculpting movements with easy to follow dance movements”
(With thanks to Bryan Family YMCA)
RE: props WE'LL ADD TO THIS LIST AS WE FIND THEM -
We might not have time to make everything. We might not need all this things either. But these are a few ideas.
Record player
hand mirror
scripts for actors
sheet music, music books
wizard of oz book
an old type-writer
lap-top
Scene 1 - LIVE
Spotlight on KRISTINA who is arranging the letters on the noticeboard to spell out
‘AUDITION NOTICE…date…sept…’
KATIE is standing at the typewriter
meanwhile on VIDEO
Greensboro Cultural Centre.
FLAMINGO BY MARTIN DENNY can be heard playing in the background.
KATIE is in the community room, a room with all the traits of a municipal building – she walks amongst the felt notice-board, perusing the local goings-on, home made posters, font and page-maker happy. Nothing much catches her eye, though she is generous with her time.
*Until*
CLOSE-UP ON AUDITION NOTICE -
THERE IS A PILE OF AUDITION NOTICES ON THE SIDE AND BOTH KRISTINA & KATIE GRAB GREEDY HANDFULS
LIGHTS ON STAGE
Scene 2
FADE TO BLACK
VIDEO SHOWS Close-up shot of scripts of the Wizard of Oz
Exterior shot at Greensboro Cultural Centre. K & K have both been to read the scripts.
ZOOM IN on sign reading something along the lines of....
GREENSBORO COMMUNITY THEATER – DIRECTOR – READ SCRIPTS HERE.
CAMERA POV SHOT READS SIGN,
K & K GO THROUGH DOOR AND THEN COME OUT AGAIN –
VIDEO SHOWS FOUNTAIN outside cultural centre.
Scene 3 –LIVE ACTION
VIDEO goes BLACK, LIGHTS GO DOWN–
]]>VIDEO SHOWS SHEET MUSIC AS K & K are looking at sheet music on stage.
Scene 4 LIVE ACTION
K & K are deciding which musical they want to do a song from. They look through the SHEET MUSIC and a few OLD VINYL RECORDS that they have found amongst the collection at Elsewhere.
VIDEO FOOTAGE PANS OVER A SELECTION OF SOUNDTRACKS AND RECORDS FROM THE ELSEWHERE COLLECTION. CHOICE PARTS ARE HIGHLIGHTED – JULIE ANDREW’S FACE, KIDS FROM FAME, MANY VERSIONS BY MANTOVANI OF WEST SIDE STORY TRACKS
THEN TURNS TO BLACK FOR THE FEW SECOND LONG INTRO.
of ‘A Woman’s Touch’ from Calamity Jane – 2 mins worth
LIGHTS OFF – Video starts as Doris Day starts singing.
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